This page began as a way to show off the pictures we (Deborah Peters and Stephen Bloch) had taken of various reconstructed medieval pavilions we've lived in and/or built. But I anticipate it becoming also an impetus to discussion of various designs for medieval tents, how to build them, how to live in them, etc. Accordingly I've put in a Taxonomy of Tent Designs discussing different structures and construction methods, a collection of medieval pictures of tents useful as iconographic evidence, a custom tent measurement calculator, and links to as many other relevant Web sites as I could find. If you find bugs in the calculator, if you know of other sites I should link to, or if you can contribute good pictures or descriptions of reconstructed tents, please e-mail me.
Note: we are not in the business of building and selling pavilions. We do not have a catalogue, we do not have a price list, we do not have a mail-order policy, etc. I'll be happy to provide suggestions and moral support from my experience and that of other tentmakers I know, should you be inspired to build your own, but I will not build your tent.
Many of the pictures on these pages are shown in "thumbnail" format, linked to larger versions of the same picture. So if a particular picture piques your curiosity and you want to see more details, try clicking on it.
Many of the photographs on this site, and much of the testing experience of the tents discussed here, are from the Pennsic War. This largest event of the SCA year is held in western Pennsylvania in early to mid-August, and attracts approximately 10,000 participants (from both the SCA and other medievalist groups), some of whom stay for as long as two weeks. At this event, and at numerous smaller and briefer events, most participants sleep in tents or pavilions of some sort, varying from blue plastic tarps to high-tech backpacking tents to careful reconstructions of actual medieval tents.
We held a panel discussion of tentmaking techniques at Pennsic 1997, with a one-hour field trip to examine the participants' own efforts. Interest was high, and the level of expertise of the participants varied from Myfanwy, who'd built one pavilion, to us, with two, to Mistress Barbary, at several hundred, to the people from Medieval Miscellanea and Tentmasters, who had built and sold thousands. I was somewhat surprised that so few people showed up wanting to show off their own efforts on the field trip.
A similar class has been held at Pennsic each year since. Each year the number of participants, and the number of pavilions to visit, has grown, and the field trip has stretched to three hours (for the die-hards who last that long).
Note to participants in past classes: I saw a number of you taking photographs, both full-view and detail, of the tents we visited. If anyone would like to contribute photographs to this Web site, I'd be very grateful; please contact me at sbloch1964@gmail.com.
Deborah
and I have for a number of years been part of the
Enchanted Ground camp at Pennsic.
Enchanted Ground, founded by Duke Cariadoc
of the Bow, is based on the conceit that, due to some sort of enchantment,
this patch of ground is no longer a part of the twentieth century but rather
of the Middle Ages. Inside it there is no discussion of things that didn't
exist in the Middle Ages, and we avoid obviously modern camp gear:
cooking equipment, bedding, clothing, and (most relevantly to this page)
housing such as tents.
We didn't build this one, we borrowed it from the (now-defunct) Gwyntarian Musicians' Guild. Although its shape resembles those of various medieval tents, its internal structure has no resemblance to any that I know of: it had a single center pole, with about a dozen ropes going up the pole, through pulleys or loops at the top, and down at an angle to the circular welded steel hoop that held the shape of the shoulder. This hoop was stabilized by a number of cross-braces (also welded steel, with lots of wing-nuts), the assembly and disassembly of which took hours of frustrating work and caused injuries ranging from mild burns (from steel sitting in direct August sun for hours) to bruises to badly pinched fingers. The main advantage of this structure is that no guy-lines extend beyond the footprint of the tent.
At some point Deborah decided to build her own pavilion based on the many
pictures of pavilions in King
Rene d'Anjou's Book of Love, aka Le Coeur d'Amour Éspris. We
completed this pavilion as a joint project in 1994, aided by the
Calon
Scrolls special issue on pavilions, Volume IV #6.
More pictures (both of our pavilion and of those in King Rene's book) and
construction details are on another page.
When
Deborah started building the first tent, she was single. By the time it
was finished, she and I had met and were considering marriage. We quickly
found the tent too small for both of us, a week's food, clothing, music,
and musical instruments. So we built a larger tent in 1996, based on the
pictures of oval pavilions in King Rene's book. More pictures, and discussion
of construction details, are on another page.
Oh, by the way, none of these tents, to my knowledge, has ever collapsed
or flown away in a Pennsic storm.
These links include not only tents and pavilions, but yurts, sheds,
taverns, etc.
Disclaimer: I haven't assessed the quality of research going into all these
pages; I expect the reader to do that for him/herself.
Tanya Guptill (ska Mira Silverlock), another SCA member who builds pavilions, has developed a page on Medieval Pavilion Resources, including lots of on-line sources relevant to pavilion making, including a significant amount on Mongolian yurts/gers.
She also hosts the Sacred Spaces Archive (Sacred Spaces is the newsletter of the Known World Architectural Guild, and this site includes a number of articles on tents, houses, and furniture).
Karen Larsdatter's period illustrations of people setting up and taking down tents, and period illustrations of market merchant booths.
Stephen Wyley's History of Tents, which includes a Database of Tent References. Presented in table form, this massive collection describes features and decorations of hundreds (at least!) of tents appearing in pictures and textual references from the 1st to the 18th century C.E.
Pavilion Information from House Greydragon. This is apparently an SCA household that has built several pavilions on Daffyd's hub-and-spoke design (with some modifications which they say help the spokes stay in place). They also have a number of photos of a surviving 16th-century (???) pavilion in a museum in Basel, Switzerland.
Panther Pavilions, a commercial maker of medievalish pavilions.
Tentsmiths, another commercial maker.
Tents in the Middle Ages: Protection, Status, and Strategy, a blog post by German commercial maker BattleMerchant.
It's worth reading
the
German version of the blog post as well as the English, which seems to have
been written separately rather than just translated, as it's differently
organized and says different things (although to my great frustration, neither
version cites or links to any evidence). For example, the English version says
"tents in the early Middle Ages were often ... made from animal
skins, wool or coarsely woven linen. The waterproofness of these early
tents was often inadequate, which could lead to considerable problems
in rainy regions."
while the German version (according to Google Translate) says
"Canvas and heavy cotton were the preferred materials for tent making
in the Middle Ages. Canvas, obtained from the fibers of the flax plant,
was characterized by its exceptional durability and resistance to the
elements. The tight weave of canvas offered good protection against wind
and light rain while remaining breathable...",
and then in a separate paragraph
"In the early stages of the Middle Ages, animal hides were often
used; although they were waterproof, they were also heavy and prone
to rotting. Over time, canvas increasingly became the preferred
material. Canvas, woven from flax fibers, offered a good compromise
between weight, durability, and weather protection. To increase
waterproofness, the canvas was often treated with wax or oil."
The word Google Translate translates as "canvas" is "Leinwand", which is
specifically linen (consistent with the "flax fibers"). No mention of hemp
fabric (i.e. cannabis, the origin of the English word "canvas") in either
version; there's one mention of hemp rope in the German version.
Dragonwing, which used to make and sell pavilions, but is now mostly a book publisher, including The Pavilion Book. Site includes a bunch of interesting articles about medieval tents (and some having nothing to do with medieval tents).
Building a Conjecturally Period Pavilion, an old (1988) article from Cariadoc's Miscellany. (The first result was the black-and-white tent that appears next to Marvin above, and next to our first tent in this picture. Cariadoc has built at least one subsequent tent based on the same design, correcting problems with the first one.)
The Anglo-Saxon Geteld reconstructed by The Vikings, a living history group in the UK (formerly known as the Norse Film & Pageant Society).
Will McLean's blog posts about medieval tent construction, including lots of medieval illustrations, quotations and translations from tailors' manuals and account books about tents, and photos of his own reconstructed round arming pavilion (c1400 AD).
Will passed away in 2015 (and we played "L'homme armee" and "Armes amours" at his funeral). We inherited his beautiful round pavilion, and are still using it for La Belle Compagnie living-history shows.
Ellissif Flakkari's Webbed article on yurts and gers
I intend this section to eventually become a decent bibliography for tent reconstruction. But for now, I'll just put in a few entries; recommendations for others will be cheerfully accepted!
Mistress Ellisif Flakkari's
These are the pages I know of that contain links to this one; if you're interested in this page, you may well be interested in other stuff on these pages. If I'm missing any, please E-mail me.
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Stephen Bloch / sbloch1964@gmail.com